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Originally Posted by Sprawl
They're not interested. The entire point of the last few years has been to create something entirely bespoke for the sake of prestige/service prevision/ego/public presence/take your pick. If they were at all interested in the advantages you state, the most sensible approach would be to stay at the existing site and expand into UBC.
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Even expanding the current gallery would be expensive and probably not yield the same amount of usable space. There is 165,000 sq ft in the current building. What would need to be done to get it up to the 310,000 sq ft that is targeted in the new building, or the 686,000 sq ft in the existing post office?
How much would it cost to achieve the same results as taking over a currently standing building?
It's going to cost $300 million to build the building. How much would it cost to retrofit the post office?
Quote:
Originally Posted by LeftCoaster
There is no practicality to trying to build an art gallery on a piece of land you don't own...
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The art gallery doesn't own the land they want to build on either.
Larwill park would be a gift from the city.
The post office was bought by a pension fund that wants to redevelop it. So the building at best in need of major upgrades for office/retail space, at worst a nuisance (dealing with the cost of demolition or heritage facade retention would be very expensive for that building). Larwill park is empty, a blank slate for a developer, and closer to transit making it perfect for mixed use.
If they tried, I'm sure an agreement could be worked out between the city and the pension fund, where they trade the post office for Larwill park and some cash/concessions. Then the city donates the building (or even lease it out for $1 and be landlord) and the VAG comes up with a fraction of $300 million planned for the new site to upgrade the building to a gallery. They could even follow through on the original plans and add the tower to the building and use the proceeds to completely pay for the gallery.
Everyone wins. The only loser in that scenario is Kathleen Bartels' ego.