Quote:
Originally Posted by Changing City
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I think what makes it look odd and like it doesn't belong is that a crown cornice molding typically is meant for the top of a building and not the mid-band section.
So in the original design you can see it works, because that's how the style language work.
With this re-design the crown cornice is not longer a "crown",...but more of a mid-band that doesn't look as such and thus the whole thing just looks.......well.....messy.
I doubt the original designers would love this new re-do.
It's the whole "one-foot-in" and "one-foot-out" approach they seem to be taking.
I know it's hard doing these kinds of classical architecture-to-modern-extension re-do sort of projects, but in this case it seemed like they could never decide fully which way they were going.
Either be fully faithful to the early design language and make your extension lean more on that style of design and language. Or make a clean break of it and take a more unified approach (...to the modern side).
If it's a heritage building, the problem typically solves itself because there's not much you can do to the original building to alter its design.
I agree with Migrant's approach that a colour that was a hueing (forgive the pun) close to the red brick tone of the original might have helped tons to not make it look like they just cavalierly stuck 2 unrelated buildings on top of one another and that just now seem to be stylistically fighting with one another.