Quote:
Originally Posted by Pavlov
3. The City of Halifax's removal of a statue of Edward Cornwallis
|
I think it is interesting to look at this one, isolated because I am familiar with Halifax and Cornwallis, in light of the broader iconoclastic trend.
I think mere opposition to removing the statue has more to do with fear of iconoclasm as a particular human energy than with anything else. Halifax has not been the sort of place that might gather any meaningful degree of civic veneration behind Edward Cornwallis for some time. In effect, the energies that carved the monument and gave it pride of place have long since vanished.
Opposing its toppling, then, has more to do with a more watery belief in civic continuity or stability than it does with the honouring of Cornwallis. Is that energy sufficient to maintain the statue's presence? It was for so long as the absence of an opposing energy allowed the inertia of the previous, Cornwallis-honouring energy to persist.
The toppling of the statue was as meaningful and accurate a gauge of sentiment as was its erection. While we might be used to the persistence of "silent majorities" at the ballot box, they count for nothing in these extra-political situations. There was no degree of pro-Cornwallis sentiment equal in strength to the anti-Cornwallis sentiment; there was only inertia and fear.
The iconoclasm isn't that interesting. It is only useful insofar as it demonstrates societal change to the apolitical or diffident. What is interesting are the new monuments, e.g. the Museum of Human Rights in Winnipeg. This is an interesting building as it represents a kind of monument to a contemporary doctrine. What qualities does it have? To me, it appears vague, gigantic, hopeful and depersonalized. An airport terminal disassembled and reconstructed as a ziggurat honouring a legal construct.
It is a much more accurate statement of who and where we are than was Cornwallis.