Quote:
Originally Posted by trofirhen
I feel as if I'm supposed to like this, but I just can't. I know the "wooden" aspect goes with BC forest culture,
but the building in no way reflects a feeling of urbanity (unless, like many here, you're hooked on Japanese culture, and the concommitant wooden buildings).
It projects the image not of a sleek, sophisticated "world class" (cough) city, but of the usual kooky blend of small-town and big city pretensions that is Vancouver.
Sorry folks, this one might be just great somewhere else in the city, but I'd fight for a totally gutted and refurbished Post Office building anyday.
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I agree. The wooden concept, to me, doesn't scream Vancouver. Significant buildings in Vancouver haven't been wood since they all burned to the ground in 1886.
Since then, we have built some of the greatest stone and steel buildings in the world. Not just advanced for our city, but advanced for the world. We built the tallest building in the British Empire 3 times. And most other cities have never built a brutalist building as stunning as what we have built.
The wood cladding feels like a regression for architecture in Vancouver. It feels like what other people, uneducated in our history, would think hour history was and our present is. It represents the stereotypical view of Vancouver by outsiders, not the one that is us that we should be projecting.
Paying homage to the BC forest industry? Sure it has it's place. Maybe at ground level. But, like how Vancouver is built on its logging origins and not defined by it, the Vancouver Art Gallery should build on a wooden grounding not fixated on it.
Make each floor a different material. Use wood, and stone, and steel, then concert and top if off with glass.
That's Vancouver's heritage: a small logging port that grew up to be a leader and innovator on the world stage.