Quote:
Originally Posted by ILoveHalifax
Everybody uses roads either directly or indirectly. The goods in the store that an urban dweller might buy get there on transport trucks
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That's arguable when we're talking about distant cul-de-sacs and the like, but yes, by and large, you're right.
Just as we all benefit, directly or indirectly, from the creation of a more attractive metropolis with a diverse economy, including a healthy cultural sector. Institutions like the KAS provide incubators and support to a culturally influential demographic, which spins off into real estate, development, commerce, etc.
At worst, it creates a positive impression of the city as a forward-thinking, arts-oriented place. At best, it's part of creating an overall urban climate that draws people (and employers) to a place. This isn't wishful thinking; institutions like the Khyber have a demonstrated and major positive on impact urban economies. You can disagree, but the data shows it.
I'm reluctant to link to anything written by the rather glib Richard Florida,
but check this out. Florida is just describing other people's research here, so it's a lot more credible than his own overly simple deductions.
Basically, cities that have healthy arts sectors and generous public-sector support ALSO tend to have very healthy economies, and are in high demand by employers and new residents. Arts funding also tends to generate economic activity that offsets the initial investment, and generates additional money. It's literally an investment, not a liability. Summary quote: "Ultimately, the study notes that while arts are not a silver bullet for cities, their role in urban economic development is, in the authors’ words,'“highly underestimated.'”
And that's not just funding for safe stuff like symphonies and large theatre companies and the like--small galleries, individual grants, and artist-run spaces (i.e., the Khyber) are all part of that. And if you talk to any Canadian artist with experience of the Khyber, they'll tell you that it's one of the best such institutions in the country, and part of the reason for that is the centrality of its location and the building itself.
I find it depressing that we always have to frame the debate for arts funding in economic terms, rather than accepting that maybe great civilizations just SHOULD put some money to arts. But that's the frame we're working with, I guess.