Quote:
Originally Posted by combusean
Wholeheartedly disagree with these statements:
This is completely false. The LGBT history of the building dates back to its days fifty or sixty years ago as the 307 Lounge, one of the first gay bars in Phoenix. The fact that it also houses the DeGrazia mural is a coincidence, and as far as I've seen, there are four different sets of people fighting for its preservation: DeGrazia afficionados, Roosevelt Row advocates, and members of the LGBT community, with preservationists running the gamut of all groups. If the DeGrazia mural was "unsubstantial", it wouldn't be appraised at hundreds of thousands of dollars.
There's no "win" with an inwardly-focused, single-use lowrise deadzone on what ought to be a busy commercial street. Even the office complex once housed First Friday activities, and Greenhaus has been a staple of the neighborhood ever since it opened. The neighborhood needs preservation of uses that contribute to its vitality, and the proposed project doesn't do that at all.
Bodega 420 was the historic home of the Pappas family, a family that has made a not-unsubstantial impact on the city. The lawyer's office was one room in that house while the rest of it was a local grocery store that the neighborhood needed.
Regardless, even if it were a popular crackhouse, its current or recent use is completely irrelevant compared to the history which ought to be preserved.
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1. Well, that's good to hear. But, it just seemed rather coincidental that no fuss was made about the loss of the 222 building until the Wood Partners site plan was released and an all-out "Save Roosevelt" campaign began. All original articles focused on the murals, rather than the LGBTQ connection that is now being used as leverage to save the building. I think that's a much more of a rational basis for saving a building, as opposed to a mural that's been largely covered up, and is only valued so highly because of the work involved in taking it down/moving it. All articles have mentioned that the mural itself is not considered important to the artist's history... those aren't my views/words.
2. ~200 apartments in one single-use building is a win over the Scientology building and GreenHAUS structure. I think it's crappy that a choice has to be made, and that the GreenHAUS building should've been incorporated from the beginning. But, since it wasn't, the developer has added public art, pieces of the 222 building, and other elements that will make it a contribution to the Row's "artistic" scene. You're preaching to the choir about the damage a lowrise, single-use stretch of apartments will to do Roosevelt... I have argued for the inclusion of mixed use projects in this area many times before. But, compared to the former Wood Partners' parcel, which houses a retail complex and two homes that could be adaptively reused, this - the NWC corner of 3rd/Roosevelt - seems to be the least offensive, and I would rather focus on making sure the 'right' thing is done across the street. Having no commercial uses between Artisan Village and MonOrchid would be a complete failure for the area.
3. I never said the 420 house shouldn't be preserved; I'm arguing that we haven't "saved Roosevelt" when they're demolishing the 222 building, the 314 building, and the 420 building is sitting mostly empty with a non-active use. "Saving Roosevelt," in my opinion, would be working with the developer of that parcel to make small design tweaks that allow for preserving the 420 house, working with the City to move the 314 house, and incorporating live/work space equivalent to the retail/commercial space being displaced by the loss of Canvas, and the two commercially-used homes.