Quote:
Originally Posted by apetrella802
Helmut Jahn who was the principle designer of One Liberty Place and a student of Mies van der Rohe said One Liberty Place was Miesian but more free, i.e., free to use color, free to articulate form outside of the stricture of extreme rectilinearity and free to suggest some level of historicism. One Liberty Place has blue granite and aluminum and glass that takes on a variety of colors depending on sun light and atmospheric conditions, a complex series of converging chevrons that suggest a reinterpretation of the Chysler
The Modernism of the first 60 or 70 years of the 20th c. was totally exhausted by 1980 since it had to operate in a narrow set of rules that cut this architectural movement off from 2500 years of Western architectural history.
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The previous 2500 years celebrated ornament, which to some, is not true architecture, but advanced graphic design. That is why le Corbusier wanted to evolve the art into something more meaningful and thought provoking. Modernism was exhausted because architects weren't thinking hard enough within those rules; the profession lost its artistic identity over code and politics. Modernism was meant to be sooooo much more meaningful than what it fatefully turned into by the 80's; alas his original ideals of design were lost and overrefined, instead of evolved, by the post war boxes. I fully support the freedom of material choice as long as it doesn't overtake the identity of the design.