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  #721  
Old Posted May 16, 2008, 6:08 PM
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^Yes, let's please move it there. I spent too much of my precious 2am hour last night typing out a long-winded response there and it's not getting any love!
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  #722  
Old Posted May 16, 2008, 6:51 PM
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My favorite aspect of this tower is actually the sweet European courtyard that will ultimately be a romantic, big city space, IMHO.
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  #723  
Old Posted May 16, 2008, 7:32 PM
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I think Elysian is an ok building and would give it a 5-6, meaning that it doesn't do anything offensive nor extrodinary. It will help breathe more life into the area which is probably the best aspect of this development.

Moving on, I'm curious what Adrian and other architecture people have to say about the way Hotel Pierre in NYC incorporates historical architecture motif into its facade? It is about 150 ft shorter but still a skyscraper that attempts to masquerade as a european mansion or palace.





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  #724  
Old Posted May 16, 2008, 7:38 PM
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Originally Posted by jstush04 View Post
^ not trying to toot your horn or anything, honte, but that whole entire post was simply amazing. So completely unbiasedly analytical, and I have to agree with it all

But on the subjective side of things, even though I am far from excited about this building, I've still adopted a "good enough" feeling about the building. I mean, plain and simple, its too late for this building, so I might as well convince myself that things aren't so bad. and you know what, in the world of pick-and-choose comparisons, things just aren't so bad. There are buildings in downtown spread around that I'm just embarrassed to look at, and so far Elysian is not one of those buildings
Thanks, Jstush. In the scheme of things, I agree with you: There are far worse buildings than the Elysian to gripe about. I mean, we have stuff going on that borders on incompetence. Philosophically, however, LaGrange's stuff takes the cake for me, partly because of the market segment they are targeting, and also partly because it is a competent firm.

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Originally Posted by CenIL_LA View Post
The only thing an architect can really do is stick up for their designs the best they can. Generally the only thing they can honestly ask for is that legally thier designs are meeting the safety and welfare of the occupants or walk away forfitting costs assumed. A developer will listen to a designer but in the end they are most concerned with thier wallet. They are also concerned that they wont get sued while somewhat meeting the architects vision to thier own standards. If a developer wants to skimp on materials/better details they will certainly do it, and they do. I would agree I would love to see this POMO done with the greatest care but we would need a different class of developer in Chicago to do that. An architect selling thier soul, does it because they need the job/market to keep thier companies or employees afloat. If someone is always willing to completely bend over to get a job, you better be at least willing to put up with a few things you dont like. Few architects honestly want to design crap.
Of course, you are correct. Nothing is so cut-and-dry and it is unfair to blame it all on the architect. Generally speaking, I try to critique the design rather than the designer for this exact reason.

But LaGrange set himself up for this, IMO. First, he's the only Chicago architect audacious enough to willfully promote himself as a "Starchitect." This has, unbelievably, been in the press several times. Now, what kind of Starchitect is submissive to the cheap developer? I can just hear Frank Gehry now, "OK, fine, do it in shake shingles if you must..." Second, LaGrange has on many occasions willfully talked clients out of more modern or progressive design agendas.

He brought this upon himself, and I have no reason to believe that he is not 100% comfortable with the product he is producing. He tends to be very defensive of it, actually.
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  #725  
Old Posted May 16, 2008, 8:49 PM
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^^ that is a sad fact I never knew.
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  #726  
Old Posted May 16, 2008, 9:46 PM
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Originally Posted by trvlr70 View Post
My favorite aspect of this tower is actually the sweet European courtyard that will ultimately be a romantic, big city space, IMHO.
...huh? are you serious? that BIG CITY space will be a private area for cars to pull into.
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  #727  
Old Posted May 16, 2008, 10:02 PM
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Originally Posted by AdrianXSands View Post
...huh? are you serious? that BIG CITY space will be a private area for cars to pull into.
...unlike similar/comparable courtyards?

Actually, to me the most terrifying part of that render is the apparently blank dead wall along State Street. Hopefully this is just in the rendering and those will actually be retail spaces?
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  #728  
Old Posted May 16, 2008, 11:39 PM
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Nvm, guess the great debate will never be resolved.

Last edited by Rizzo; May 17, 2008 at 3:52 AM.
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  #729  
Old Posted May 18, 2008, 3:56 AM
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  #730  
Old Posted May 18, 2008, 5:07 AM
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It's starting to get up there in height.

Will the adjacent 10 E Delaware have underground parking? I'm trying to visualize what will be behind the low-rise portion of Elysian. Will it just be a dead wall of a parking garage?
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  #731  
Old Posted May 18, 2008, 5:16 AM
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Nice angle!
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  #732  
Old Posted May 18, 2008, 2:20 PM
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Originally Posted by VivaLFuego View Post
It's starting to get up there in height.

Will the adjacent 10 E Delaware have underground parking? I'm trying to visualize what will be behind the low-rise portion of Elysian. Will it just be a dead wall of a parking garage?
^ Renderings seem to suggest that 10 E D will have a parking podium, but not your typical blank wall. It will be a "LaGrange-ified" garage

In regards to the Elysian motor court, I actually really like it. If designed well, it can be a cool space, IMO. "Good evening, Mr. Bond" says the tuxedo-clad parking valet...
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  #733  
Old Posted May 18, 2008, 7:49 PM
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I just noticed today (I'm slow about these things sometimes) that the Rush Street face of this building follows a straight North/South line and not the NW diagonal of Rush Street. That means that it doesn't meet the street at the point it abuts the building to its south, leaving space for landscaping maybe (?) and creating a sawtooth effect as you look SE along Rush Street.

I'm wondering if that will be good or bad...
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  #734  
Old Posted May 18, 2008, 8:06 PM
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Great shot, i_am_hydrogen. I'm surprised this one has progressed this far already: from your shot, you can see that the construction has reached the "setback" where the second notch of balconies start.
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  #735  
Old Posted May 18, 2008, 9:43 PM
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Quote:
Originally Posted by AdrianXSands View Post
first, WHAT ARE YOU TALKING ABOUT???? that's not even CLOSE to the truth!!! who told you that?

second, the exposition was a COMPLETE and UTTER architectural FAILURE. and it made a lot of people and architects HATE burnham.
OMFG STOP THE HYPERBOLE

Quote:
Originally Posted by AdrianXSands View Post
it's not a question of the materials or the proportions or the street interaction or anything like that...
Srsly, any architectural critic who begins his analysis with a statement like that should be barred from the profession/amateur discussion forum.

Quote:
Originally Posted by AdrianXSands View Post
the problem here and so often with architecture lately is the fact that it's a form of delineative architecture! architectural design should reflect what is happening right now, and should be relevant only to right here. this isn't greece, france, england, italy, or wherever. it should derive NOTHING, especially not from fucking europe; we shouldn't adopt there ugly 'styles'.
How are 300 N. LaSalle, 353 N. Clark or the Quaker Oats Building any less derivative of Miesian-era Modernism than LaGrange style construction is of Second Empire style? Those three buildings -- which both me and you love -- are hardly in the spirit of current design innovation (aside from some environmentally responsible features). The difference is a question of "materials or the proportions or the street interaction" and how they pertain to the emulated style. In those three buildings, these things are done well. In LaGrange's building, they are not.

Quote:
Originally Posted by AdrianXSands View Post
god, it seems like everyone on this forum is either crazy or missing the point... jesus
Spoken like a true schizophrenic.

On the other hand, Honte, your post was 100% spot on. Superbly articulated.

Last edited by Ch.G, Ch.G; May 19, 2008 at 8:58 AM.
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  #736  
Old Posted May 19, 2008, 1:58 PM
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Originally Posted by AdrianXSands View Post
...huh? are you serious? that BIG CITY space will be a private area for cars to pull into.
My feelings concerning the charming courtyard remain.
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  #737  
Old Posted May 19, 2008, 9:42 PM
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I think it's interesting that that sketch-rendering has some cool-looking little low-level setbacks around the 9th/10th floors, but it has no balconies. These two changes completely change the character of the building, IMO....
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  #738  
Old Posted May 19, 2008, 9:49 PM
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^^^ Yeah. LaGrange? Dumbing something down? NO WAY.

Quote:
Originally Posted by trvlr70 View Post
My feelings concerning the charming courtyard remain.
"Charming" is the first word I think of when I think of Chicago.
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  #739  
Old Posted May 20, 2008, 12:24 AM
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Originally Posted by dagobert View Post
Moving on, I'm curious what Adrian and other architecture people have to say about the way Hotel Pierre in NYC incorporates historical architecture motif into its facade? It is about 150 ft shorter but still a skyscraper that attempts to masquerade as a european mansion or palace.

Right, but this is actually made of appropriate materials and looks elegant, because it wasn't designed by some hack like Lucien Lagrange.

The Pierre is amazing. I would kill to own that penthouse (like, literally, I would be willing to end the life of another human being if someone made the offer).
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  #740  
Old Posted May 20, 2008, 12:30 AM
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I think the courtyard area/private pull up drive is amazing. It is something that you dont have very often and in a high class building like this, it is something that is going to draw people to it. I would love to have this is my building and if in fact the courtyard ends up looking like the picture, I might have to look into a place here. It is nice, private, and gives and much more elegant entrance!
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