Quote:
Originally Posted by Curtis Park
Properties can be scraped inside the district as long as they are "non contributing". This means building not built in the defined period of importance, somewhere from 1880 to 1910, I think. It also means buildings that have been altered to a point of no longer having historical value. But, any new building is subject to design review to ensure they reflect the historic character of the neighborhood. This does allow for multi-story buildings if they are allowed by zoning and does not mean all new building have to look old. Consider the new United Way building on Park Ave and the townhomes on 26th and Champa that mimic rowhomes from the 1800s.
|
Thanks for the info!
It sounds like that kind of historic district has some serious power when it comes to protecting contributing structures. There's nothing
invalid about streetcar-suburb style density, but as many of us have pointed out, neighborhoods in other cities seem to find a middle-ground between this kind of density and full-on city-center density that is higher than what we see in Curtis Park. Maybe I'm missing something, but it sounds like the whole area could be up-zoned and the contributing structures would still be pretty solidly protected.
It then starts to come down to the little details of what is allowed by both the zoning and the historic protections - like the space between buildings or whether you can build a 3.5 story rowhome-style structure complete with a traditional stoop or possibly a rooftop deck or maybe a 5-story multi-unit building (not possible with RH-2.5 zoning as far as I know). I also wonder how the historic district feels about add-ons to old houses like the one I posted a few pages ago from Cap Hill. Or
something like this. Again here, it would be about both what is allowed under historic protections and also what the zoning will allow - it wouldn't be possible to add retail on a parcel enshrined with exclusively residential zoning.
Edit: The notion of something being "altered to a point of no longer having historical value" has always struck me as being extremely subjective. By that definition, would many of the great Renaissance or Baroque facades that were tacked on to Medieval buildings in Europe be considered as having "altered the historical value"? What about something more recent like the Ellie Caulkins Opera House? At what point do we determine that altering or adding on to a building - the way most cities have grown for millennia - has "damaged" its integrity? Kind of a rhetorical point there but food for thought.