Posted Jun 20, 2019, 4:43 PM
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Join Date: Feb 2009
Posts: 28,177
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Quote:
Originally Posted by Migrant_Coconut
Agree or disagree with the Herzog design, both Patrick Condon and the Tyee should be taken with multiple doses of salt, if not the whole shaker.
I for one am glad that the VAG did NOT go with Bing Thom's pitch:

(Vancouver Sun)
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It's worth pulling the article out of your quote, as it has the original Sun piece. The vast floating roof was to give the site weather protection in the winter, something srely lacking in Vancouver's public spaces. I'd like to know what happened to the concert hall money referred to?
...“We came up with this thing that was sometimes referred to as a cultural Granville Island,” said Heeney.
“At that time Emily Carr hadn’t moved, they were looking for extra space so they were going to move their industrial design department there. We had Centre A (art gallery) teaming up with the Asia-Pacific Foundation for kind of an Asian art complex.
“This was before the Bill Reid Museum got settled in the craft museum, and they were proposing a National Aboriginal Art Gallery. So that was in there. There was a disparate group of buildings.”
According to the pamphlet the National Gallery of Aboriginal Art would have been 100,000 sq. ft., the Asia-Pacific component was 50,000 sq. ft., and there were two concert halls, one with 1,800 seats, the other 450.
To deal with the Vancouver weather, Thom placed a giant roof over top of the project.
“The spans were such that the roof structure was quite deep,” said Heeney.
“In fact, it was just the right size to fit the Vancouver Art Gallery in it. So we thought the Vancouver Art Gallery could be in this big roof structure over all these other uses.”
The gallery extended across Cambie to the plaza in front of the Queen Elizabeth Theatre.
“We had these wonderful big hollow shaft columns that brought people up into the space,” said Heeney, who spent several years on the VAG’s board. “It was very neat, it was going to be all top-lit and controlled.”
“It was going to be a huge new cultural hub,” said Wooten.
But Bartels didn’t want to be part of it.
“She was very keen on having a stand-alone, iconic (building), and this was more part of an ensemble,” said Heeney...
...Ironically, if the feds did give $500 million to the project, that’s $500 million more than they’ve given to date to the proposed Herzog & De Meuron gallery.
“This was in the days of Paul Martin, and they were getting along terribly well with the province,” said Heeney. “It was all instigated with Gordon Campbell. Then of course Martin lost the election (in 2006), and it all went sideways.”
Another proposal that went sideways was at the downtown post office, where a developer offered space to the VAG in a redevelopment but was turned down...
https://vancouversun.com/news/local-news...cluded-a-suspended-vancouver-art-gallery
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