Quote:
Originally Posted by Future Mayor
Well then, I guess all of us that like the Capital theater addition must simply be wrong. But guess what, architects in the Brutalist era, also thought that other Brutalist era architecture was good architecture.
As I've mentioned I don't think the Capital Theater addition is in anyway trying to take away from the beauty of Capital Theater, it's not attempting become the focal point, I think it actually will improve the site lines and will compliment it nicely. It's a modern design, but the design elements pay homage to those in the existing building, the lines flow from one building to the next, while not trying in anyway to make it look like part of the original theater. If executed as the renderings show, I think it will end up being an excellent addition to Capital Theater, and an excellent addition to the variety of architecture downtown.
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You are right. Just because I am an architect does not mean that I am the authority on what looks good. However, it should at least mean that I have demonstrated that I have an ability to design a building that looks good to at least to the client and hopefully, the users and the general public. An architect should also be more fully exposed to many, many architectural examples to enable a more informed decision of building design aesthetics. As a caveat, I did mention previously that a Design Review Board typically just doesn't have architects. It also has planners, real estate professionals, community representatives, etc. This allows for a broader consensus than just us architects.
I do want to say that design is not completely subjective. There is a certain rigor that separates good design from not so good design. In design school, we have respectable architects from the community make judgements on how well or how terrible our student designs are. They have demonstrated that their is generally a rigor that must go through to achieve good design. Brian Junge's design lacks a certain rigor, IMO. He's a flashy graphic artist, just like his design of the addition. It's too flashy, and blaringly attempts to outshine the more beautiful existing building. He needs someone with a more refined and mature design sensibility to tone it down a bit, and get rid of those slashes and Vegas like lighting and coloring, and quirky wrap arounds, etc. He helped shape the massing and design of the Rio Tinto Center in Daybreak, but had an excellent designer/project manager, Marianne Wander of FFKR Architects, to refine the massing, colors, textures, and materials to really make it look great.