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  #161  
Old Posted Dec 13, 2009, 3:45 AM
whatnext whatnext is offline
 
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Perhaps the VAG is fortunate Gordo's government by ADD has taken his interest elsewhere. From the NY Times:

In the Arts, Bigger Buildings May Not Be Better
...Municipal governments and arts groups were soon pouring hundreds of millions of dollars into larger, flashier exhibition spaces and performance halls.

Now the economic downturn has reined in a lot of these big dreams and has also led to questions about whether ambitious building projects from Buffalo to Berkeley ever made sense to begin with. Some are arguing that arts administrators and their patrons succumbed to an irrational exuberance that rivaled the stock market’s in the boom years...

http://www.nytimes.com/2009/12/12/arts/design/12build.html?_r=1&em
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  #162  
Old Posted Jan 9, 2010, 2:50 AM
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Art gallery expected to continue protest tradition

By James Keller, The Canadian Press

VANCOUVER - Two large stone lions quietly stare out onto the north lawn of the Vancouver Art Gallery, keeping watch over the Olympic countdown clock and, more weekends than not, scores of protests and rallies that have made the site the city's answer to London's Hyde Park.

The spaces on either side of the century-old former courthouse regularly play host to anti-war rallies, political demonstrations and even a pair of annual marijuana smoke-ins.

During next month's Winter Games, the gallery could become the centre for anti-Olympic activism.

The police, the city and Olympic officials have said they'll leave the largest side of the gallery open during the Games by keeping it out of any security zones that would restrict activity, allowing protesters to use the art gallery's backyard as it's been used for decades.

There are few other spaces like it in Canada, serving as the de facto spot for protests and activist culture in the city, a tradition that traces its roots back to - when else - the 1960s.

The neo-classical building with its large imposing columns was completed in 1906 as the city's new courthouse, and the sweeping steps leading up to the north entrance along Georgia Street were a frequent setting for formal portraits and special ceremonies in the first half of the century.

Politics began to encroach on the space in the '60s, says Joan Seidl of the Museum of Vancouver, with rallies against the Vietnam War. There was concern over long-haired hippies hanging out on the lawn and bathing in the courthouse fountain.

"It seems to me that it's from that point that you start to see it actually used for protests,'' says Seidl, saying it's no coincidence that such activity gravitated towards the court building.

"From the mid-1960s, it's been identified as the place you go to voice your alternative opinions. It (the courthouse) represented the powers that be and the establishment.''

In the late 1960s, the city passed an anti-loitering bylaw and several people who were hanging out at the courthouse were arrested.

The arrests prompted loud accusations that the city was targeting people with long hair, and, says Seidl, solidified the spot as the default place for dissidents in Vancouver, even after it was converted into the art gallery in 1983.

Today, police say there are at least 50 protests and rallies a year on either side of the gallery, from massive demonstrations that attract thousands to small gatherings of a handful of people waving placards about all manner of topics.

The south side of the gallery, a small patch of sidewalk and steps along busy Robson Street, will be under several security restrictions during the Olympics and effectively off-limits to protesters, but Seidl says keeping the larger north lawn open is an important gesture.

"It just seems to me that it's acknowledging the historical uses of that space, and it's according them a certain kind of respect,'' says Seidl. "It will be interesting to see how it's used.''

The gallery has already seen Games-related protest, notably when the digital Olympic countdown clock was launched in February 2007. Protesters stormed the stage, shouting obscenities and pelting police with rocks, eggs and paint-filled balloons.

Olympic opponents are already planning at least one demonstration at the art gallery during the Olympics on Feb. 12, the day of the opening ceremonies.

Alissa Westergard-Thorpe of the Olympic Resistance Network says more could follow if police and the city make good on their promises to leave the space alone.

"It's one of the main places (for protests in Vancouver). I do hope that it is kept open,'' says Westergard-Thorpe.

"For people coming into the town, it would be nice for them to see that despite all of the attempts of the Olympic industry to shut people down and to silence us, people are still out expressing themselves.''

Westergard-Thorpe says the space has become a vital part of the city.

"Sometimes you go there and there's a demonstration on both sides, so that's a great sign that you have an active participatory society. It's extraordinarily important,'' she says.

Activists have accused the city, local police and the RCMP-led Olympic security unit of planning to clamp down on free speech during the Games, and have pledged to boycott so-called "safe assembly areas'' that will be set up near some venues specifically for protesters.

A civil rights advisory committee recommended in a report last month that the north lawn of the art gallery lawn be left open during the Olympics without designating it as an official protest zone - the designation would surely have kept protesters away.

Vancouver police say they'll treat the space as they do any other day - they'll keep watch over any protests simply to ensure they're safe and peaceful.

...

http://www.ctvolympics.ca/about-vancouver/news/newsid=25009.html
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  #163  
Old Posted Jan 9, 2010, 1:33 PM
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Quote:
Originally Posted by SpongeG View Post
Art gallery expected to continue protest tradition

By James Keller, The Canadian Press
http://www.ctvolympics.ca/about-vancouver/news/newsid=25009.html
Awesome.
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  #164  
Old Posted Jan 10, 2010, 10:35 PM
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?:







(my photos, taken today)
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  #165  
Old Posted Jan 10, 2010, 11:11 PM
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Surprise. Confusion. Anxiety. So many emotions. Anybody got any idea?
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  #166  
Old Posted Jan 10, 2010, 11:15 PM
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I wonder what they're doing with the art gallery :O
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  #167  
Old Posted Jan 10, 2010, 11:18 PM
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Maybe something to do with the large Da Vinci exhibit coming soon?
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  #168  
Old Posted Jan 11, 2010, 12:39 AM
djh djh is offline
 
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Originally Posted by jlousa View Post
Maybe something to do with the large Da Vinci exhibit coming soon?
Nah, it's bound to be some Olympic-related wrap. It's a municipal building and the clock is on that plot, and Robson Square has the GE ice rink, so some sponsor has no doubt thought this would be a great high-profile location for advertising, and ahem, cough, a nice big contribution to taxpayer's coffers.

I'm sure we'll know for sure by midweek.
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  #169  
Old Posted Jan 11, 2010, 12:42 AM
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prepping it for demo i hope? kidding!
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  #170  
Old Posted Jan 11, 2010, 1:16 AM
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i asked them on facebook and will see what they respond
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  #171  
Old Posted Jan 11, 2010, 2:20 AM
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Proabbly an Olympic wrap - it's the heart of the City - no better place to put a welcome sign...
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  #172  
Old Posted Jan 11, 2010, 2:22 AM
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Interesting, and mysterious.

Maybe they're lighting it up for the Olympics
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  #173  
Old Posted Jan 11, 2010, 1:01 PM
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Originally Posted by Vancity View Post
Interesting, and mysterious.

Maybe they're lighting it up for the Olympics
I hope this

i can imagine the 5 olympic colours bathing the building

if its a wrap, AUGH
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  #174  
Old Posted Jan 11, 2010, 8:28 PM
Andrew Riley Andrew Riley is offline
 
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Vancouver Art Gallery - Major Installation for Georgia Street Façade Being Installed

We noticed that there is a lot of posts about the scaffolding now covering the Gallery’s Georgia Street façade. I'm sure you'll be happy to know that it is being installed to support a nearly 6,000-square-foot hand-painted mural titled Georgia Street Plaza 23.01 - 02.05.10, 2010 by Taipei-based artist Michael Lin. Using the exuberant floral patterns of Taiwanese fabric, the work will cover the Gallery’s entire northern exterior and dramatically transform this high-traffic area beginning January 23, 2010, just in time for the Winter Games.

For more info on this and the latest on other Gallery projects, you can join us on our Facebook page at:

http://www.facebook.com/business/dashboard/#/pages/Vancouver-BC/Vancouver-Art-Gallery/10883078204

All the best,

Andrew Riley
Public Relations Manager
Vancouver Art Gallery
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  #175  
Old Posted Jan 11, 2010, 8:38 PM
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Thanks for posting!
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  #176  
Old Posted Jan 12, 2010, 12:19 AM
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the VAG's off-site space at the shangri-la is going to change to this on jan,23


Vancouver-based artist Ken Lum’s critical and engaging work calls into question the relationship between modernism and everyday lived experience, often blurring the boundary between high art and popular aesthetics.

Over the past 25 years, Lum has exhibited widely throughout North America, Europe and Asia, utilizing a variety of media and methods. For Offsite, the Gallery’s public art space in downtown Vancouver, the artist is creating new work based on huts that were erected on the Maplewood mudflats in North Vancouver during the second half of the twentieth century. Scale models of these structures appear to float over the surface of a reflecting pond, creating a marked juxtaposition between their makeshift construction and the surrounding architecture, while evoking the utopian character of the mudflat community in the seemingly inexorable advance of urban development.

http://www.vanartgallery.bc.ca/the_exhibitions/exhibit_ken_lum.html
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  #177  
Old Posted Jan 12, 2010, 10:58 AM
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^I've seen them begin to install this over the last couple days. They have some fencing up with fabric somewhat obscuring the site, but you can still make out the huts through it when close up. Should be pretty interesting looking once complete.

Thanks for the info, Andrew!
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  #178  
Old Posted Jan 12, 2010, 8:13 PM
Andrew Riley Andrew Riley is offline
 
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I hope this is not too much to post, but I thought you might like info on all three of the Gallery's upcoming oudoor projects.

Michael Lin: A Modest Veil – January 23 to May 2, 2010
The Georgia Street Plaza, the largest public square in downtown Vancouver, will be backed by nearly 6,000-square-feet of brilliant colour composing Michael Lin’s massive mural titled Georgia Street Plaza 23.01 - 02.05.10, 2010. Covering the Gallery’s entire northern façade, Lin’s enveloping intervention will dramatically transform this high-traffic area. Thousands of passersby will be invited to reinterpret the altered architecture of the Gallery’s neo-classical building and consider the cultural references and connections created by the artist’s bold floral pattern. Appearing as part of the exhibition Michael Lin: A Modest Veil, Lin’s intervention is joined by a book-wrapping project that will cover hundreds of publications in the Gallery Store and a t-shirt designed by the artist that will clothe frontline Gallery staff.

Michael Lin is highly regarded for his monumental installations that reconfigure public space. Born in Tokyo in 1964, the artist was raised in Taiwan and now lives between Brussels, Shanghai and Taipei. His work reflects the influence of these diverse sites of cultural production and his movement between them. He has created monumental works for extraordinary sites around the world, including Towada Art Center, Towada (2008), The Contemporary Museum, Honolulu (2005), Kunsthalle Wien, Vienna (2005), Asian Art Museum, San Francisco (2004), P.S.1, Long Island City (2004) and Musee d’Art Moderne de la Ville de Paris (2002).


CUE: Artists’ Videos – January 23 to March 21, 2010,
CUE: Artists’ Videos will present the most innovative and compelling local, national and international artists working in film and video today. Presented on a nearly 20-foot, high-resolution LED screen on the Gallery’s Robson Street façade, the series will run daily from 5 am to 2 am. The adjacent Robson Street Plaza, one of the city’s busiest pedestrian hubs, will be particularly lively during the Olympic Winter Games when the area becomes an official site for live entertainment and a major centre for local, national and international media.

Videos selected for CUE range from short, dynamic films that surprise and delight to those that probe deeply into the complexities of today’s world. The exhibition includes more than 90 titles by artists from around the globe, including Afghanistan, Canada, China, France, Germany, Iran, Italy, Mexico, The Netherlands, Poland, Romania, Sweden, United Kingdom and United States. For her video The Birth of RMB City, Chinese artist Cao Fei takes viewers into the on-line 3D virtual world Second Life using her avatar China Tracy. For Civilization, Italian artist Marco Brambilla depicts a journey from hell to heaven using digitally-enhanced found film footage. Vancouver’s Paul Wong presents a year's worth of personal snapshots compiled in chronological order and shown at a rate of 1000 images per minute for the intense viewing experience of Last Year. The works will be presented in seven thematic programs, including Borrowing from Cinema, Constructing Tableaux, Notes on the Everyday, Sight and Sound, History in the Making, Performing for the Camera and Living in the Spectacle. Each program will repeat at various times of the day to maximize viewing opportunities.

Vancouver Art Gallery Offsite: Ken Lum -- January 23 to September 6, 2010
For his sculptural installation from shangri-la to shangri-la at Vancouver Art Gallery Offsite, artist Ken Lum will construct scale replicas of three squatter’s shacks from North Vancouver’s Maplewood Mudflats settlement. Located along the area’s intertidal zone from the early 20th century until 1971, the mudflat community was home to a number of artists, writers and activists. For his project, Lum will recreate the cabins of renowned writer Malcolm Lowry, artist Tom Burrows and Greenpeace leader Dr. Paul Spong. Propped up on stilts over the surface of the Offsite reflecting pool, the huts will strike a sharp contrast with the surrounding downtown architecture. Located at the foot of the Shangri-La Hotel, Vancouver’s tallest building, these structures evoke the character of the mudflat community and draw attention to the constant advance of urban development in the Lower Mainland.

Ken Lum is a Vancouver artist whose work questions the relationship between modernism, mass culture and everyday experience, often blurring the boundaries separating high art and popular culture. Over the past twenty years, Lum’s work has been presented in solo exhibitions throughout North America, Europe and Asia. He has also represented Canada at the Istanbul Biennial, São Paulo Biennial, Shanghai Biennale, Gwangju Biennale and Documenta. The Gallery’s Offsite exhibition space near the intersection of Georgia and Thurlow streets in Vancouver’s downtown core offers a rotating program of innovative public art projects by local and international artists, which respond to the city’s unique urban environment.
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  #179  
Old Posted Jan 12, 2010, 9:52 PM
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the video screen sounds cool thx for teh info
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  #180  
Old Posted Jan 12, 2010, 10:36 PM
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Every time this thread is bumped I think, finally, an update on the relocation plans.

But nope.
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