Quote:
Originally Posted by VivaLFuego
I suppose it just gets back to the overall architectural critique of this one being lost in an unpleasant nether-region between being a true revivalist (even the same architect's recent 65 E. Goethe, while suffering some similar issues, did a little better on this front) and being post-modern, which while often used as a slur on these forums can actually produce some very attractive and iconic buildings (e.g. the nearby 900 N. Michigan).
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This is a good point. There are buildings that try to "trick" you and ones that simply attempt to reinterpret historical references using a modern vocabulary. All of Lagrange's faux French nonsense falls into the first category, while the latter includes buildings like R.R. Donnelley, 190 S. LaSalle, AT&T in New York, PPG Place, etc.
Here's the way I see it:
Phillip Johnson : abstraction :: Lucien Lagrange : caricature
It's like Lagrange tries to trick you, but doesn't have the discipline to pull it off-- an exaggerated French accent rather than a true francophone.