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Originally Posted by Jibba
My opinion keeps wavering about this one. One minute I think the facade doesn't have enough depth and is a little too Tartan. Then, when I see a picture like wrabbit's above (great shot, btw), I just think "that's 'bout perfect."
Maybe I'll just revert to complacent ambivalence (if that's even possible) and call it a day.
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Well, just think: If it were indeed great, its greatness would not be conditional on the angle and the time of day. I think what we have is a tower that is just good with occasional moments of greatness, but which could have been so much greater so much more often.
Quote:
Originally Posted by honte
Thanks for that model shot, Spyguy. I guess it's clear that the architects desired something more from this building, but their client put the brakes on that in a hurry (even if what the model shows was rather ungainly).
You have to wonder, is this a sad reflection of the image that Chicago is a buttoned-up, conservative Midwestern town? I've maintained for a long while that Hines's work in Chicago does not live up to their national and international portfolio.
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It's a great question, honte, and one maybe better addressed in the State of Chicago Architecture thread (if it's still kicking), but I don't think you're far off the mark. We all know there's a disparity between outside perceptions of the city and reality. Like I just wrote in some other thread, Chicago is still shaking off the dust that settled after the collapse of its economic engine, the industrial sector (which, though base, clearly kept the architects in business). Not too long ago, I had a professor-- a successful and still active British venture capitalist who became an envoy to China for the senior George Bush-- earnestly refer to Chicago as a still-decaying rustbelt city upon disclosure of my hometown during a one-on-one, get-to-know-your-students dinner. It was actually the first time I confronted that attitude in person so I was a bit shocked; nothing in my experience remotely approximated the city he described. (It also wasn't the last time-- which my peers from the rest of the country have made certain. I watched two friends-- one from Minneapolis, no less, who, when pressed, defended her position by citing her frequent trips to Chicago-- mutually encourage each other, in a typical pseudo-intellectual masturbatory collegiate exercise, to the hypothesis that Chicago is a mere "simulacrum" of a city. I was incredulous.)
On top of that, you have all the bias accumulated since day one towards the city's historical "low culture" which developed in lockstep with its high culture. Like most societies, America's is a classist one and was even more so during Chicago's formative years when the teeming masses of immigrant laborers far outnumbered the barons of business and their ilk.
These aren't easy legacies to combat, despite the fact that the city has pulled such an amazing about-face. (The international exposure of and prestige accrued by the Olympics would go a long way to help; I think that more than anything is Daley's motivation.) Were another developer to take the lead and commission a truly progressive design (with truly successful results), I imagine Hines might follow suit on any future projects. In the meantime, they may just be content to rely on a tried formula that is at least successful enough.
Alternatively, they and Pickard Chilton-- in the case of 300 N LaSalle-- may sincerely believe themselves to be honoring a larger-than-life tradition. The IBM building is only a few blocks away. All of those "contextual" elements which you've noted and (deservedly) pulled apart seem deferential if poorly thought out and followed through.