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Originally Posted by honte
^ Your topic gets to the true tension of this design: The pragmatic vs. the artistic. Some might argue even that it is Aqua's real raison d'etre.
You can find lots of examples of this in the design beyond the windows, such as balconies instead of smooth and flowing form, the goofy-looking square parts of the base, the mismatched townhouses, the absent balcony at the mechanical level, etc. Cost of course also has something (perhaps a lot) to do with this.
Aqua seems to me a building truly in the spirit of Chicago architecture, but only because it can't decide how much of our tradition to carry forth vs. how much to follow larger, global trends. That's been a perplexing problem here since at least the 1980s.
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I'm sure cost had a lot to do with it. I recall someone saying Jeanne Gang wanted glass balconies, no? I imagine those weren't alone on the chopping block. And is she the townhouse culprit or was that job delegated to a less reputable (and presumably less expensive) firm? (For the record, if it wasn't, then I'm genuinely disappointed in Studio Gang.)
Anyway, I think you are and have been too harsh on the building. Even if you reject the the ostensibly very pragmatic rationale for the balcony design-- which I know you do-- it's tough to deny that something very 21st Century (in that amorphous subvert-the-box kind of way) was achieved very subtly and with very little (in terms of both resources and funding). I'd argue that this feat alone is an ingenious practical solution worthy of the Chicago Architecture mantle.