Very longtime lurker here, recently registered, and finally had to speak up about this Utah Theatre discussion and related Sundance discussion.
I'm sure Bill Becker has toured the Utah Theatre, but I have a hard time believing there's nothing left to preserve. Unless it has been seriously stripped in the last 5 years, there are a lot of amazing details in the auditorium.
Some background:
In late 2002/early 2003, Clear Channel Worldwide was considering moving their newly purchased KTVX-TV (ABC 4) to downtown SLC from its (relatively new--built in 2000, but very poorly) building on 1700 S./2100 W. They wanted a Main Street studio to hopefully rejuvenate KTVX's sagging ratings and bring some life back into both downtown and the station.
It was only financially feasible for Clear Channel to do this if two arms of their company went in on the project. Clear Channel Radio had a relatively new building in WVC from their Jacor Radio buyout, so that wasn't an option, but Clear Channel Entertainment (which runs Broadway Across America, Salt Lake City), had recently decided to push for a Broadway theater in downtown, since many productions skipped SLC because of the size of the Capitol (sound familiar?).
Sooooo, Clear Channel TV and CCEntertainment decided to find a venue that would house both operations: a TV news studio, a Broadway theater, and offices for both. The obvious (and awesome) solution: The Utah Theatre and the surrounding store fronts. They also considered the (then) American Stores tower if CCE dropped out and it was to be the TV division all by itself.
I worked for Clear Channel then, and in summer 2003, I was on the team that toured the American Stores tower and the Utah Theatre as part of this process. Sadly, I did not have a camera with me that day (it was a surprise visit). But believe me, at that time, the lobby and hallway were the LEAST interesting and ornate areas. (Incidentally, a coworker did have a camera, and this post has prompted me to email him and ask if he still has the images--I'll post them if I can get them.)
Though the auditorium was split into two levels with a movie screen in each, and some historical moldings and wall pieces had been damaged or removed to make the balcony a full auditorium/floor, the space was still stunning. I distinctly remember turning to a coworker, mouth open, and saying, "How has this been here like this for so long?! It's so much better than the Capitol Theatre."
Most of the period lighting remained, original signage was there, the stage and curtains were intact, the staircases and floors were amazing, even under all the dirt and, most surprising, the restrooms retained many of their 1920s fixtures and, even, charm. The seats were mid-century replacements, yes. The plaster walls were cracked, yes. Areas of the balcony were roped off because they were unsafe. But so much of the Pantages' character was obviously there, and in my opinion, completely salvageable.
So, unless Rick Howa got stupid and removed all those wonderful elements, I don't believe "there's no there, there."
Oh, and as for Clear Channel's plans? They were in informal discussions with the RDA, trying to clarify what kind of assistance would be available given the massive revitalization it would have been for Main Street. While this was happening, KUTV/CBS got word of the possibility and, not having a Broadway component, jumped at the chance to be in the tower. Clear Channel and CBS battled very briefly with the RDA, and we all know who won that one. Frankly, I think the city was still upset with KTVX for breaking open the Olympic bribery scandal, and KUTV always played nicer.
Given all that, the Utah is my sentimental favorite in this current Broadway Theater search. I'm not sure if it makes the most sense, but I still love it.
Now, for the Sundance arm of this dicussion:
I left Clear Channel to work for the Sundance Institute, and though I hate to rain on anybody's parade, I can tell you without hesitation that Urbanboy's proposal, nice as it is, will never happen.
Though the Institute tries to keep elements of the Festival in Salt Lake City (see "SLC Festival Cafe" at the Beehive Tea Room and 300 S. becoming "Festival Row" in 2008), their eggs are now all in Park City's basket. The Institute even moved its corporate offices from the Crane Building to Park City in August 2005 (Jill Miller's doing). And though the Institute does the occasional SLC screening during the summer, at that time of year its focus is on the screenwriting and theatre labs at the Sundance Resort. The SL Film Center would be a more likely candidate for this idea, IMO. Sundance just isn't interested in Salt Lake City.
Second: Jill Miller, managing director, doesn't do much that matters. Ken Brecher, executive director (located in the Institute's Beverly Hills office), calls all the shots that Bob and the board does not. And Brecher would prefer to stay as far away from (what he perceives as) the Mormon influence of SLC as possible. Anything film-related that Brecher does not decide goes to Geoff Gilmore, film festival director. Miller, though nice enough, essentially just oversees the day-to-day operations of the Institute outside of the Film Festival. And that ain't much.
Anyway, sorry for the LONG, potentially off-topic first post. Have greatly enjoyed the forum over the last couple years. I won't be saying much, but will probably speak up from time to time now that I'm no longer a posting virgin.
Quote:
Originally Posted by urbanboy
I wrote a letter, but I haven't sent it yet. What do you all think?
Quote:
Dear, Jill Miller
Downtown Salt Lake City will be experiencing a renaissance very shortly. Over 3 billion is currently being invested into Downtown. 1.5 of that is being invested into two city blocks that are adjacent to Temple Square, Utah's top tourist attraction. When completed, these two blocks will be known as City Creek Center a world-class shopping and lifestyle center: http://www.downtownrising.com/city_creek/
Furthermore, the City is working to create a "Cultural Arts District" on the two blocks just south of City Creek Center. This is where the Sundance Institute comes in. Salt Lake City has enjoyed the exposure, economic activity, and the cultural experience that the Sundance Film Festival has brought. Our community is full of gratitude because of it. We would like for the Sundance Institute to have a more permanent presence as part of our Cultural Arts District. Perhaps the implementation of a Sundance film school that could rival Vancouver's Film School. There is also an opportunity to restore one of two existing 1,400 seat B. Marcus Priteca "Pantages" theaters (located on one of the two blocks) into a premiere Sundance venue and Film Center. The other existing B. Marcus Priteca "Pantages" theater is in Minneapolis, and was recently restored: http://www.pantagesplayhouse.com/pantageses.htm ......and...... http://www.hga.com/the_latest/press_...vitalizes.html
Also, a Tony Award-winning producer Bill Becker, the mayor's brother, is directing Salt Lake City's efforts on a full-time, volunteer basis, with assistance from the local arts community, business leaders and civic organizations in bringing a Broadway- style theater to downtown. A site for the theater has been proposed on one of the two Cultural Arts District blocks, as seen in the attached file. Also shown in yellow is the Pantages Theater and leasable space for a possible film school.
With the City, P.R.I (the real-estate arm of the LDS church), and other private developers investing in Downtown, this community's commitment to creating a world-class Downtown has never been stronger. Now is a great time to get involved.

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