I created these full-height, constructed perspective shots by stitching together 6 separate frames. It was the only way to fit the full structure in the frame AND then correct the perspective for nice and parallel vertical lines with breathing room on the bottom & sides.
In the top middle frame, the full building is fully in frame, but my lens was at max shift and I *still* had to pan my camera up a few degrees to get the top of the structure and enough sky. Had I perspective controlled that one frame, it would have been extremely narrow. Adding the other frames allowed me ample overage to increase the field of view of the composite image.