Quote:
Originally Posted by LMich
It was also either my least favorite, or second-least favorite of the five or so designs for the museum, but it's grown on me, too. I favored the more vertical designs, but I now appreciate the horizontal lines of the thing. It's certainly a better piece of work than Zaha Hadid's only other building in America, the Contemporary Arts Center in Cincy.
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While architectural preference is subjective, I don't think it's fair to pair these two buildings up. They both respond highly to context and in each situation are complete opposites.
The museum in Cincy responds to urban sidewalk conditions with complete transparency on ground level to allow pedestrians to see activity within the building and therefore charging that corner with activity.
The MSU museum sits within a campus..almost a park like setting and is very much about procession and directing travel toward the entry. In no way does the architecture suggest you stop in a particular location to view what's going on inside, but it does provide dramatic angles when viewing from further distance.
I'm particularly intrigued by the stacked volumes of slightly different texture and strong contrast in Cincy. I would assume they represent different levels and rooms of the program within, but it also breaks apart a large building with massings that are nearly perfect in scale with neighboring structures...except turned on their side.
As I mentioned before, the MSU example is very sculptural. It is flashly, but it's also very low in profile in a way that's not overpowering to neighboring structures. What I do find odd is this building seems to look shrinkwrapped to me. Was there a much grander, possibly more expensive proposal originally? Seems like angles and forms were subdued from the usual Hadid geometry and essentially focus was shifted to the skin of the building to make up for this loss.
I guess one thing that bothers me about this building is that psychologically this thing tells me to "stay back." Though that's not surprising for an art museum. It could be the way it meets the ground at an acute angle, but it's nowhere near as approachable as the Cincy building...probably because the intent was to make the ground level look as open as possible. If I remember correctly, sidewalk patterns continue onto the interior.