Quote:
Originally Posted by SamInTheLoop
Getting OT, but what's postmodern about xerox or quaker? I don't see it......
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Just like Modernism, there are multiple sects of post-modernsim. You had the playful guys like Stanley Tigerman who were merely gesturing at past styles or literally incorporating the purpose of the building into the design (I.e. Anti cruelty society which saves pets and looks like a dogs face). The playful pomo really died off and got absorbed into the traditionalists like Philip Johnson who was like "let's make buildings look like antique furniture" which eventually was totally misunderstood by idiots like LaGrange who at this point just apes old styles. But then you had the post modernists who didn't really abandon the principles of Modern design, just the strict ridgity of it all. Jahn was right in the middle of that and Xerox is a perfect example of it. It rejects the notion of just being an efficient square divorced from its site. It embraces circles and curves. It flares out at the base. It has a changing facade pattern that rejects the idea of perfectly scaled grids, etc. This school ultimately let to stuff like Thompson center where even the idea of using restraint in color and material goes out the window.
Other buildings in this same vein include 333 Wacker, the building at Madison and Wells posted by Harry, and a lot of other buildings in the Loop that still seem "modernist" from our perspective, but were actually quite radical departures from theies dominated orthodox at the time.
PS didn't mean to put the emoticon in the header, just bumped it without noticing, not being smug lol