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  #581  
Old Posted Oct 7, 2008, 3:31 PM
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JDS ARCHITECTS /
ORDOS BIG BROTHER HOUSE /
A PROJECT FOR ORDOS100 IN INNER MONGOLIA /


A house of 1000 m2 can almost be populated rather than inhabited to the least it can entertain quite a party! We have designed a house around the principle of big brother, a place where one can watch and be watched. A house where the circulation is gathered into an atrium of hedonistic leisure and excess, an unavoidable place of pleasure control, that distributes its visitors and party goers in the confines of protected rooms.
Each room flanked on this panopticon atrium is equipped of a private terrace, or dune, that continues the idea of the original desert over the house. Similarly the desert is trapped inside the atrium to form an oasis of sand.
Climatically the house functions like an igloo: the outer rooms act as a layer of extra protection to the indoor atrium space.
The larger space allows for natural ventilation both of itself and of each individual room.
The programmatic layout allows for maximum publicity on the 2 primary levels while the top floor is dedicated to the master bedroom and attendance, turning it almost into an apartment within the house.









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  #582  
Old Posted Oct 7, 2008, 3:53 PM
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What is it with modern architecture and putting everyone "on display" to passers-by?
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  #583  
Old Posted Oct 7, 2008, 4:04 PM
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I'm sorry, but that is just awful. A house is meant to be a private refuge not some public display for all to see
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  #584  
Old Posted Oct 7, 2008, 6:58 PM
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Build it on a farm.
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  #585  
Old Posted Oct 7, 2008, 7:28 PM
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Even then, how can you relax when SOMEONE might be on your land and looking in?
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  #586  
Old Posted Oct 7, 2008, 10:39 PM
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it's not about some mythical modern vs. classical architecture debate. some of the worst examples of po-mo, deconstructivism, neo-modernism, and neo-classicism are the result of our fascination with celebrity and fame. that said, many of adrianxsand's examples do stand out in a positive light.

the most egregious offenders in the architectural world were done in an attempt to shock the audience/architectural patrons, and to garner instant fame and fortune for the architects. good, functional architecture (regardless of its architectural ism) most likely won't stand out as much. think of andy warhol's paintings of soup cans. he parlayed it into fame and fortune. why can't architects do the same with twisted metal, or shards of glass, or molded oversized corinthian columns?

that place in inner mongolia does sound like a gimmick. it will be located in a heating climate, yet it focuses on ventilation?
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  #587  
Old Posted Oct 8, 2008, 12:36 AM
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Even then, how can you relax when SOMEONE might be on your land and looking in?
Be really fat and hairy and stand naked in the window.
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  #588  
Old Posted Oct 8, 2008, 7:40 AM
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That house, or whatever it is, is horrible. Why would anybody want to be on constant display and have a complete lack of privacy? Not only that but the design is hardly revolutionary. It's a bunch of crates set up in a circle. WOW I bet it took all night to think that one up!
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  #589  
Old Posted Oct 8, 2008, 2:33 PM
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^Its more like a psuedo intellectual response to a class project, but it has no basis in reality. Its; a'nything goes architecture', if you havent seen it before then it must be good. It'd make a great Apple Store or high end boutique though....
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  #590  
Old Posted Oct 8, 2008, 3:25 PM
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reminds me of what passes as high fashion. What goes down the boardwalks rarely makes it's way to main street. The same with a lot of these buildings. They make a statement, they shock, they're for the critics. Unfortunately, the buildings will stick around much longer than the clothes.
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  #591  
Old Posted Oct 9, 2008, 12:10 AM
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  #592  
Old Posted Oct 9, 2008, 11:09 AM
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^^^^ That goes in skyscraper art, this thread is for actual propsals, and try to add some description next time too.
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  #593  
Old Posted Oct 9, 2008, 1:13 PM
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"For those of you who are familiar with Los Angeles, this would be the 'New Age' Gehry version of Century City!

Starchitect, Frank Gehry - Plans for The Point
in Metro Salt Lake City unveiled



World-renowned architect Frank Gehry is teaming up with Brandt Anderson to build an 85-acre development in Lehi called The Point. (Steve Griffin/The Salt Lake Tribune )






Photos from Deseret News,(Jason Olson)

Avant-garde design unveiled in Lehi
Modern design unveiled for Lehi's The Point
Renowned architect Frank Gehry says his concept drew inspiration from Utah's landscape


By Jennifer W. Sanchez
The Salt Lake Tribune, September 25, 2008


IT'S GOING TO BE CALLED "THE POINT." And the ambitious design by architect Frank Gehry, well-known for his otherworldly creations, promises to be as unique and controversial as his visions for the Guggenheim Museum in Bilbao, Spain, or the Walt Disney Concert Hall in Los Angeles. The concept for the $2.1 billion retail, recreation and residential development, proposed for 85 acres in northern Utah County, was unveiled Wednesday. Details, A5.
LEHI - It's been at least 30 years since world-renowned architect Frank Gehry visited southeast Utah's Arches National Park. Still, memories of that trip - and of the otherworldly shapes of the landforms there - inspired the design for the much-anticipated Point of the Mountain development in this Utah County community.
Gehry - in Utah on Wednesday to unveil the project's design model - said he didn't create the look and shape of the $2.1 billion development in hopes that it will become a Utah icon. He just wants the locals to like it, and in turn, their pride in their community will attract others.
"You build on feelings and people," he said. "I hope the buildings represent . . . the feeling of the land and community."
It's been almost two years since project developer Brandt Andersen made his idea public. On Wednesday, with Gehry at his side, Andersen revealed the development's look and name: The Point. The revelations came during a news conference at the The Flash Factory arena, just west of the 85-acre project's site off Interstate 15, about 30 miles south of Salt Lake City.
When naming the development, Andersen, CEO and owner of G Code Ventures, said many were offered, from some in Latin and French to those representing Utah. But, in the end, the name is a play on a few ideas, from the project's location near the Point of the Mountain to the "points" on all the proposed buildings and the nearby mountains.
"It keeps very true to our area," he said.
As for construction: the first phase could get started in 18 months "in a perfect world," Andersen said. Still, the project could take up to 10 years to complete, he said.
For now, The Point design model looks like a city of wooden and silver Legos stacked among tiny trees and a river encompassing the heart of its "downtown." Andersen, who is funding the project, calls it a "masterpiece."
The project design includes a five-star hotel - which could become the state's tallest building at 450 feet - and a 12,000-seat arena. Stores, condos, offices and restaurants would make up a town center. On the outside edges of the man-made water features, there will be more housing for folks who want to live near downtown but not in it, Andersen said.
On Wednesday evening, the public was invited to view the eight proposed designs that led to the No. 1 pick. Hundreds of guests, eating finger foods, walked around the arena's basketball court that was decorated like a museum exhibition.
Tom Swan, a general contractor who lives in nearby Saratoga Springs, said he attended the event because he's a fan of Gehry and excited about the impact the project will have on the Wasatch Front. Swan said he liked the way the buildings are stacked together over the water and that the hotel is not just a straight skyscraper but has levels.
"I've never seen something like this come to this area," he said. "This is awesome."
Dayna Silvey said she liked that the "modern design" included trees and parks, and she thinks it will show Utah is becoming more progressive.
"It will bring us into the new millennium - finally," she said.
Gehry said it took him a while to understand the site and what is important to the community here. The development is unique, but it's not a fancy place where people will have to act or dress a certain way. It's more of a place where folks can enjoy a beer overlooking the waterfront, he said.
"The more it unfolds, the more you understand it," Gehry said at the news conference. "The final product should be unique to this region."
Gehry has designed unique structures throughout the world, including the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles.
The 85-acre development in this northern Utah County city of 37,000 has not had any public opposition. The Lehi City Council last month approved The Point's zoning and concept plan. The council still needs to approve the final design and plans.
Even with the decline in the economy, Andersen said he doesn't have any plans to slow down the project. Still, he plans to enlist a few partners to help fund it.
"We're in a downturn right now, but it's going to get better," he said. "I want to be in a position to be ready as the market goes up."
At least one Utah County official said he has no doubt The Point will be "a significant, major focal point" for the Wasatch Front.
Joel Racker, president of the Utah Valley Convention and Visitors Bureau, said the project will draw more business to the area as well as visitors from outside the state.
"It will be iconic," he said.


The view as seen from vantage point of Gehry's 'The Point' project. Metro Salt Lake City's Dramatic walls of 12,000 foot Mount Timpanogos will loom directly behind Gehry Project

castkeassociates.com

.

Last edited by delts145; Oct 14, 2008 at 11:33 AM.
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  #594  
Old Posted Oct 9, 2008, 6:57 PM
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DOSMASUNO ARQUITECTOS: 102 DWELLINGS FOR CARABANCHEL, SPAIN

an apartment block consisting of 102 apartments of the same layout / with bedrooms housed in cantilevered modules




FROM THE ARCHITECT:
FOOTPRINT
orientation and introspectiveness
Despite the guidelines drawn on the plots, places need to express their own personality, to arise naturally, to construct themselves. And concretely this one is aligned against a green area, against the concatenation of public spaces that link the old Carabanchel district with its forest through the new neighbourhood.
In response to these conditions, the dwellings are compressed onto one edge, onto a single linear piece, in search for the genus loci of the place, views and an optimal orientation in which east and west share the south, generating the limit of the activity, soothing the interior and defining the exterior.
STRATEGIES
minimum core + additions
The dwellings are designed from an invariable core with a modulated addition which completes the requirements of the program.
This fixed core is constructed attending to the surrounding views and sunlight, and its two main pieces, living and sleeping rooms, are stacked to the south limit, from which they are protected with a filter, relegating a services strip to the back side. Behind this strip, and like clouds drifting over the void, variations are introduced by the addition of programmatic pieces that form the dwellings of two and three bedrooms.
The strict order achieved by the linear core is mathematically blurred into a shifting volume. Thus, the dwellings become “machines for living”, and they are designed as such, fitting surfaces and diminishing the transition areas of between rooms.
CONSTRUCTION
modular casting system
Its construction responds to a necessity of industrial optimization. Therefore, the structure of the main body is constructed in concrete from a single high accuracy aluminium cast. At the same time, the light steel structure modules that constitute the additioned elements enable volumetric variations. This industrialized system facilitates the constructive process, avoiding rubbish and accelerating the implementation times.
High accuracy casts have already been used by the EMVS, who had the chance to test their results and performance. This project introduces an important innovation in the constructive process by fabricating the casts in aluminium. This implies a considerable lightening of the pieces, which enables the workers to manipulate them safely and without any additional cranes.
The Project for 102 social dwellings in Carabanchel consists of 52 single-bedroom dwellings, 35 double-bedroom dwellings and 15 triple-bedroom dwellings.
A common dwelling cell was developed for the single-bedroom typology, which becomes double or triple-bedroom typology by the attachment of cantilevered additions. Thus, the project is made up of an invariant core- repeated 102 times- which justifies the implementation of this industrialized system.
The aluminium casting system defines the core’s distribution (single-bedroom dwelling), including façades, dividing walls, partitions and even wardrobes. These walls contain, once cast, an isolating sheet (the external ones) and the whole services network.
Extra-bedrooms, added in order to extend the dwelling surface, consist on light steel structure modules which are attached to the concrete façade, and fixed to pre-set hangers. Once again, this system responds to the necessity of an optimized industrial process: a main concrete body, accurately cast with the single aluminium ‘mould’ plus the light skeleton additions, which enable the façade variations.
The process is similar to the one implemented in the industrial automobile production system, in which each worker is committed to a single assembling phase, increasing the efficiency of the whole chain.
It starts with the layout of the dwelling walls on top of the lower slab, and continues with the setting of the vertical reinforcements, which are able to stand by themselves.
Then, spacers are put in order to keep them in a straight position, as well as the isolating panels (just in the façade walls), located between the vertical reinforcements.
The walls’ girth has been simplified into two types: façade walls, 24 cm (10 cm + 4 cm insulation + 10 cm) and the rest -dividing walls, partitions and wardrobe walls-, 10 cm. They are all bearing walls. Once the reinforcements and the isolation panels are set, the services are placed into the 10 cm-girth walls, with the exception of the heating system, which is distributed throughout the slab’s girth perimeter.
The next step is the setting of the aluminium cast, coming entirely from the nearby dwelling, and the concrete pouring. Last but not least, window placing, paint job, floating parquet setting over the auto-levelling slab and bathroom and kitchen tiling.
The execution rate is daily, for it is possible to set/remove the casts and pour the concrete within the same day, being able to work on other tasks at the same time. Henceforward, the system performance is one dwelling per day. The advantages of this industrialized system are the quick setting-up, which speeds up the execution period and avoids rubbish production.
On the other hand, it implies an increase in the material cost, due to the amount of concrete used, greater than in conventional construction. The system implies a possible disadvantage concerning the user, and this is the scarce possibility of carrying out further renewals within the dwellings, for every single wall has a structural role.
However, this possibility was dismissed for two reasons: firstly, as the dwelling surface is rather limited (between 42 and 66 sqm), other spatial possibilities would be quite similar to the established, and secondly, and most important, the dwellings are intended to be hired, and, therefore, any extension/renewal would be forbidden.
The external finish ensues as a result of the building’s different orientations, in order to achieve an adequate climatic response, as well as a sustainable climatic performance. The main rooms (living room and main bedroom) of each dwelling face South-East/South-West, whereas kitchens, bathrooms and secondary bedrooms face North-East/North-West.
The insulation mass is mainly kept in the internal part of the façade, increasing the dwelling’s thermal inertia. In winter, this prevents the building from a quick loss of its temperature, whereas, in summer, it helps to avoid extra heat from the outside.
In addition to this main insulation system, a white galvanized deployé façade is placed in the southern façades (white is the most reflecting colour and, therefore, the least solar-radiation absorbing), creating a ventilated double skin, set horizontally in the South-East side and vertically in the South-Western.
This allows the winter’s horizontal solar radiation inside the skin, avoiding the summer vertical one, and concealing the building from the strong western exposure in Madrid’s summertime.
The northern façades are painted white, and the cantilevered bedrooms are covered with drilled, galvanized metal sheets, white as well, working, once again, as a ventilated façade and protecting the inner sprayed polyurethane foam insulation.
Services are centralized and distributed to each dwelling through the access terraces’ structure, and thus avoiding any possible interference with the main concrete body. There is a solar-energy supporting system in the rooftop, also centralized, as well as a pre-installation for an air conditioning system in each dwelling, hidden from the external views.
The service centralization is organized in the basement floor, open to the outside by means of huge voids, through which trees will emerge, and around which cars will be parked.
ARCHITECTS
ignacio borrego, néstor montenegro and lina toro / dosmasuno arquitectos
DEVELOPER
empresa municipal de la vivienda y suelo de madrid /EMVS
ENGINEERS
josé luis de míguel and GRUPO JG
























photo credit: miguel de guzmán
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  #595  
Old Posted Oct 9, 2008, 7:26 PM
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^How is that an example of progressive architecture??? Not only is it hideous and sterile, it completely ignores the street level on all sides. It looks like a prison.
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  #596  
Old Posted Oct 10, 2008, 2:28 PM
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^How is that an example of progressive architecture??? Not only is it hideous and sterile, it completely ignores the street level on all sides. It looks like a prison.
ya... end it's just a bunch of ugly boxes stacked together... a fifth grader could of done better...
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  #597  
Old Posted Oct 10, 2008, 2:53 PM
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Originally Posted by AdrianXSands View Post
ya... end it's just a bunch of ugly boxes stacked together... a fifth grader could of done better...
Well a fifth grader would've understood how a little colour can add liveliness.

It's a building that looks spectacular on paper but is just horrid in construction. It is so sterile and inhuman that it is hypothetically beautiful but realistically cold and bleak. Perhaps worse yet is its combination of the dingbat style with 'tower in the park' modernism; both things we know don't typically work well.
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  #598  
Old Posted Oct 12, 2008, 2:03 AM
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Quote:
Originally Posted by AdrianXSands View Post
ya... end it's just a bunch of ugly boxes stacked together... a fifth grader could of done better...
It seems that lot of what you've posted seems to be just as much an example of architects jerking off about how amazing and original they are, but opposed to starchitechts like Gehry they actually have the design skills to back it up. There's still the complete disregard to those who will use th building on a day-to-day basis, and it's street treatment for that matter.

Not that I don't appreciate the architecture as an art but I'd hate to see the urban fabric in which we live our lives taken over by such things.
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  #599  
Old Posted Oct 12, 2008, 2:40 AM
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ya... end it's just a bunch of ugly boxes stacked together... a fifth grader could of done better...
Ummm... then why did you post it????
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  #600  
Old Posted Oct 12, 2008, 4:36 AM
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Quote:
Originally Posted by vanman View Post
^How is that an example of progressive architecture??? Not only is it hideous and sterile, it completely ignores the street level on all sides. It looks like a prison.
I do like the wild cantilevering on the one side, it reminds me of the Habitat in Montreal. The other sides of the building with that fencing on the facade have a penal quality to them.

Why didn't they make the roofs of the cantilevers porches for the apartment above? It would be interesting to see plants and deck chairs appearing to float in space.

I think that's what makes a good high rise, a good high rise. It will appear to float.

I don't mind the white coloring, but it could be broken up with another color. Maybe a bright blue, then it would appear to be a surreal version of the Greek island of Sartini.
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