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  #1421  
Old Posted Jun 5, 2007, 11:06 AM
Owlhorn Owlhorn is offline
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Winspear Opera House by Maconahey










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  #1422  
Old Posted Jun 5, 2007, 11:10 AM
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Intimacy of Winspear Opera House begins to reveal itself

04:16 PM CDT on Sunday, June 3, 2007

By SCOTT CANTRELL / Classical Music Critic
Foster and Partners
The red "drum" will be sheathed in red glass and washed with red lights at night.

Already rising four stories out of the ground in a concrete horseshoe, the Dallas Center for the Performing Arts' Margot and Bill Winspear Opera House is starting to take shape. The glass walls and the vast sunshade that will cover the front and sides of the building are still just designs by London architects Foster and Partners. But, two years and five months before the curtain is to rise inside the long-awaited facility, it's already a growing presence to the northeast of the Morton H. Meyerson Symphony Center.
Across Flora Street, excavation is now complete for the Dee and Charles Wyly Theatre, designed by Rem Koolhaas and Joshua Prince-Ramus. But this companion building of the performing arts center is only beginning to emerge above ground. To the northeast of the Winspear, construction is under way on the expansion of the Booker T. Washington High School for the Performing and Visual Arts, designed by up-and-coming Portland, Ore., architect Brad Cloepfil.
At the moment, the Winspear is just a concrete arc plus some underground structures and a new 600-car underground parking garage. But what's already striking is how compact the audience chamber will be, compared to the vast expanses of Fair Park Music Hall.
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5/27/05: Leaner, lighter design a good fit for Winspear
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11/11/05: Trumpets and gold shovels add flourish to groundbreaking


Greater intimacy is a big part of the new building's raison d'être. The Winspear will have a mere 2,200 seats, as opposed to the Music Hall's 3,400. And, in contrast with the Music Hall's wide swath of seats on only two levels, the Winspear will layer one-third fewer seats on orchestra level and four wraparound balconies. The most distant seats will now be much closer to the stage, and the sonic impact should be improved for virtually everyone.
The success of Toronto's Four Seasons Centre for the Performing Arts, which opened last fall, reinforces that promise. Although the Canadian house was designed by a different architect, its size, proportions and configuration were designed in consultation with the same acoustical consultant, Robert Essert of Sound Space Design, who worked with Foster and Partners on the design of the Dallas hall.
You might think that everything about a building of this size and complexity would be settled this close to opening. But at a recent meeting at the construction site, Foster and Partners associate partner James McGrath said some of the finishing details were still being worked out.
Herewith, an update:
Glass: "The glass will be slightly tinted," Mr. McGrath says, "but will be low-iron, to keep it as transparent as possible from the inside as well as the outside." The canopy will help by keeping direct sunlight off the glass.
Lobby floors: The ground floor of the lobby will be covered in an Italian gray stone, honed smooth, but not polished slick. Upper-floor balconies will be carpeted.
Foster and Partners
There will be four levels of balconies above the orchestra floor.

Restrooms: There will be at least one toilet per 22.5 patrons, with twice as many for females – 57 to 34 – plus seven unisex/handicapped compatible restrooms.
Audience chamber: Both back walls and balcony fronts will feature undulating, convex shapes to help disperse sound.
Audience chamber colors: "We're still deliberating certain features inside the auditorium," Mr. McGrath says. But the basic color scheme of the audience chamber will be dark red. "The back wall will be rusty red," he says. "But that could change."
Audience chamber floors: They will be covered in dark wood – still to be determined.
Seats: Specially designed by Foster and Partners in collaboration with Theatre Projects Consultants, they will be 21 inches center-to-center, on average. "We've talked to 15 different manufacturers," Mr. McGrath says. To supply air more efficiently to the hall, and to keep temperatures as consistent as possible in the hall's multiple levels, each seat will have its own low-volume vent underneath.
Ceiling: Concentric rings of hard plaster will conceal lights and catwalks and help disperse sound.
Chandelier: The Foster design calls for a one-of-a-kind chandelier of retractable fiber-optic tubes, each about the thickness of a pencil, the longest about 45 feet long. "But it may or may not happen," Mr. McGrath admits. "We're working on how to make it work."
Jim Mahoney / DMN
Margot and Bill Winspear Opera House is currently just a four-story concrete arc.

Behind the scenes: The back-of-house, including stage house, wing space, rehearsal hall and offices, will be sheathed in cast stone, with slot windows. The Dallas Opera will have offices on the top level.
Annette Strauss Artist Square: The design of the Winspear Opera House will incorporate this outdoor amphitheater on its northwest corner. The square will accommodate audiences of up to 5,000 for events ranging from concerts to theatrical and dance performances to multiday festivals.
Canopy: Reaching well beyond the glass walls of the building, what's being called a Grand Portico of silver anodized aluminum fins will shade more than three acres of outdoor spaces. Spacings and angles of the fins were determined after studying year-round patterns of sunlight around the building.
Facade: Making the building as open and welcoming as possible was a top priority. So the lobby will be wrapped in glass walls 60 feet high, framed in gray-painted solid steel. "The lobby space will be very open, very transparent," Mr. McGrath says. The southeast panel, near the ground-level cafe, will have a 2,100-square-foot section that can be raised for a walk-through outdoor-indoor opening.
The red "drum": The most striking feature of the building will be what the architects call "the drum," wrapping the balconies and rising through the canopy. It will be sheathed in red glass and washed with red lights at night.
Foster and Partners
A Grand Portico of silver anodized aluminum fins will shade more than three acres of outdoor spaces.

Restaurants: A café at lobby level is expected to be open for lunches as well as evening performances. A more extensive restaurant will be located on the second level, where the box seats are. The food services will be served by a separate catering dock.
Balconies: There will be four levels of them above the orchestra floor. They'll be fronted in GRFG – glass-fiber-reinforced gypsum, a thin but strong paneling – and punctuated with lighting sconces.
Plan your life
The Dallas Center for the Performing Arts has a preview center with large-scale models and architectural renderings of the two new buildings. It's on the mezzanine level of the Trammell Crow Center, 2001 Ross Ave. The center will be open during the CityArts Celebration, from 10 a.m. to 5 p.m. Friday and from 11 a.m. to 6 p.m. Saturday and June 10. This Web site includes Web cams at the construction site: www.dallasperformingarts.org.
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  #1423  
Old Posted Jun 5, 2007, 11:12 AM
Owlhorn Owlhorn is offline
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ttt
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  #1424  
Old Posted Jun 5, 2007, 3:01 PM
Great_Hizzy Great_Hizzy is offline
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Looks good. I like the landscaping around Victory (or at least the section shown in the photos).
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  #1425  
Old Posted Jun 5, 2007, 4:27 PM
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Originally Posted by Owlhorn View Post
Metropolitan by TexasStar
I wish they would have replaced all the glass on the Metropolitan with something a little more cheery (i.e., blue, green, etc) and added some more modern features. The building is looking better, but the glass still looks like 1975.
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  #1426  
Old Posted Jun 5, 2007, 4:38 PM
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Wow. That opera house looks great.
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  #1427  
Old Posted Jun 5, 2007, 4:59 PM
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Victory Park looks great. And I can't wait to see the Opera House completed. It's a great design.
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  #1428  
Old Posted Jun 5, 2007, 8:31 PM
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The Mansion dropping formalities
09:30 AM CDT on Tuesday, June 5, 2007
By SUZANNE MARTA / The Dallas Morning News
smarta@dallasnews.com
http://www.dallasnews.com/sharedcon...n1.516f54c.html



Better sit down for this one.

The Mansion on Turtle Creek – home of Dallas' grand dame of fine cuisine – is undergoing a major overhaul. When the work is completed this fall, the restaurant will be sans tablecloths, and jeans will be welcome – even without jackets – in the main dining room.

That's right: Except for the 22-seat chef's tasting room, there won't be a dress code. And in the main dining room, the wooden tables will be bare.

These jaw-dropping changes at the Lone Star State's only five-star, five-diamond hotel and five-diamond restaurant are part of a $20 million renovation as the Mansion gears up for a fierce battle for Dallas' affluent diners.

The goal? Maintain the Mansion's historic elegance, but reposition the restaurant as a place for any occasion, not just wedding anniversaries and other special events.

"To many people, the Mansion became unapproachable and a little stuffy," said Robert Boulogne, chief operating officer of the Mansion's parent, Dallas-based Rosewood Hotels. "That's the element we have to address."
As it aims to become more than just a place for special occasions, the Mansion is dropping its jackets-required dress code.

Critics say the renovation is overdue given that the Mansion faces so many new rivals.

When the Mansion's restaurant opened in 1980, there wasn't much competition when it came to fine dining. That situation has changed dramatically, with the arrival of a robust roster of high-end, nationally acclaimed restaurants such as Abacus, Stephan Pyles, Nobu, Craft and N9NE.

Also, up to even a year ago, there were only two other Dallas-area hotels vying for luxury-minded travelers: the Four Seasons Resort and Club Dallas at Las Colinas, and the Mansion's sister property, the Hotel Crescent Court.

Since then, Hotel Palomar, owned by Kimpton Hotels & Restaurant Group LLC, and the W Dallas Victory Hotel have opened. Although the two hotels are technically considered merely "upscale," they both have the $300-plus room rates typically reserved for luxury properties.

Even more of a threat, the Ritz-Carlton Dallas will open later this summer with 218 rooms and a restaurant led by the marquee chef the Ritz lured away from the Mansion, Dean Fearing.

Still other luxury projects, including a Mandarin Oriental in the Victory Park development, are expected to double the area's supply of top-end rooms compared with a year ago, to more than 1,400.

What's to come

At the Mansion, renovations will first focus on the restaurant and bar, refurbishing the ornately coffered ceilings and fireplace mantles while injecting a more contemporary feel.

When the restaurant reopens, diners will choose from a formal chef's tasting room; a slightly more moderately priced, come-as-you-are restaurant; and a cozy bar.

Early next year, the hotel's guest rooms, lobby and other public areas will be updated.

The Mansion's restaurant won't close completely but will limit service to about 16 tables in its Promenade area during construction on the dining room and bar.

Even with the facelift, it will be harder for the grand dame to compete.

All the newcomers mean the Mansion will have to share the market's limited base of luxury customers, said John Keeling, a senior vice president at PKF Consulting in Houston.

"There's a question in my mind whether that many luxury hotels can thrive in the Dallas market," he said, pointing to the fact that occupancy rates in the downtown core have trailed those in the rest of the nation.

Complicating matters, Mr. Keeling said, is the fact that the main driver of luxury lodging demand – corporate headquarters – have clustered around Las Colinas and Plano's Legacy business park rather than in downtown.

"The Mansion needs to go through this renovation if they want to survive," Mr. Keeling said. "It's still a classic hotel and great location, and they'll be a force to be reckoned with, but it won't be as easy for them as it has in the past."

Mr. Boulogne dismissed suggestions that the renovations are coming too late given that the Ritz will open later this summer while the Mansion is still under construction. "Dallas will always embrace the Mansion as its own," he said. "I don't think any chain is going to come in and usurp that."

The Mansion is a part of Dallas history like few other establishments. Its restaurant opened in the 1925 former home of cotton and oil magnate Sheppard King, with the hotel attachment following a year later.

Its hotel soon earned five-star and five-diamond status by Mobil Travel Guides as well as AAA – a distinction it holds exclusively in Texas. (The restaurant enjoys five-diamond status but dropped to four stars in 2002.)

But today, the storied hotel and restaurant show time's wear. Chips in the painted columns that lead into the dining room reveal gold flecks from an earlier, gilded life. The intricately carved fireplace mantle in the library is darkened from soot.

During the renovation, the dining room's mirrored wall will be replaced with a honey-colored onyx that will be echoed in the bar area. Lighting fixtures will be updated and the color palette will take on more contemporary hues of cognac, taupe, amber and celadon.

The patio off the Verandah will be upgraded with higher-end furnishings and become a more regular dining spot.

The Garden Room – now used mostly for private parties – will be turned into an intimate reception and after-dinner drinks area for those eating in the prix-fixe Chef's Room.

For the bar, there will be slightly brighter lighting, with new settees to replace the rounded banquettes and tables that better accommodate dining.

The restaurant has already undergone some changes with the departure of Mr. Fearing and arrival of executive chef John Tesar, whose menu steered away from Southwestern cuisine in favor of more continental flavors.

And it has quietly loosened its long-held dress policy. While staff still advised patrons that jackets are required in the dining room, the policy hasn't been strictly enforced for about a year.

That change was driven by what Mr. Boulogne said was a changing attitude toward luxury seen in Rosewood's hotels worldwide.

"Affluent customers want to be able to go anywhere and wear whatever they're comfortable in," he said. "It's not for us to dictate. We want to offer them a choice, and that's how we're going to be able to win in Dallas."

Plans for Fearing's at the Ritz also include multiple dining rooms and a bar offering both formal and casual styles to give patrons a choice. No dress code will be enforced.

At the Four Seasons, the dress code at its Cafe on the Green is "resort casual," which leaves jackets optional, though it bans jeans, shorts and swimsuits during dinner service.

A force ... of change

Longtime Dallas restaurateur Gene Street, who co-founded the Black-eyed Pea in 1975, is confident of the Mansion's future in Dallas, though he applauds the updating. "It's still, to me, the force to be reckoned with in Dallas' restaurant market," he said. "If you ask a cabdriver, 'What is the finest restaurant in Dallas?' I'd bet more than half of them would say the Mansion."

But when Mr. Street talked of a recent visit to the restaurant, he described an older crowd. "They weren't playing 'Moon River,' but it wasn't much livelier."

Rosewood's Mr. Boulogne said he hopes the changes will return the restaurant's pre-eminence and broaden its appeal to a younger crowd: "I want people to think of the Mansion as their club again."

The changes won't be easy for some, he was quick to point out.

"Change is hard, and a number of our loyal guests don't want change," he said. "The trouble is, there are just not enough of them to sustain this as only a special-occasion restaurant."

UPDATING AN INSTITUTION

The Mansion began a $20 million renovation of its restaurant and bar Monday. Work on its guest rooms and other public areas begins early next year.

Here's a look at some of the planned changes:

Seating choices: There will be three distinct dining areas: main restaurant, Chef's Room, bar.

Pricing changes: Expect slightly more moderate prices in the main restaurant.

Leave the coat at home: Jackets will be optional and jeans welcome in the main restaurant; jacket required in the Chef's Room.

Less linen: Exposed, dark wood tabletops in the main restaurant; linens in the Chef's Room.

A different flavor: New menus by executive chef John Tesar, including multiple tasting menus in the Chef's Room.

SOURCE: The Mansion on Turtle Creek

BY THE NUMBERS

Built: 1925

Restaurant opened: 1980

Hotel opened: 1981

Rooms: 143

Suites: 16

Starting room rate: $495

Starting suite rate: $800

SOURCE: The Mansion on Turtle Creek
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  #1429  
Old Posted Jun 5, 2007, 8:32 PM
Owlhorn Owlhorn is offline
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Hunt Tower

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  #1430  
Old Posted Jun 6, 2007, 12:06 AM
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Dougall5505 Dougall5505 is offline
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Quote:
First post updated.

(I'm sure a few things here and there are missed intown(s), moreso further out in DFWland - but, it's at least updated for the first time since last December anyway. . .)
can you add renders to the first post? I'd really like to actually see all the projects going on
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  #1431  
Old Posted Jun 12, 2007, 1:31 PM
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yangtze yangtze is offline
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I found this article about george michaels art collection
which will be housed in Dallas. I am from Atlanta, and I wish
we could do as well. You guys are getting an amazing
art collection.
http://www.theartnewspaper.com/article01.asp?id=659
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  #1432  
Old Posted Jun 12, 2007, 4:12 PM
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Hunt Tower isn't much of a "tower" in the context of it's surroundings, but it's a damn good-looking building regardless. Very modern from the frontage road with the curved glass, but an altogether different experience from the sides with the sheer granite walls. It's a great "entrance" building from uptown into downtown.
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  #1433  
Old Posted Jun 13, 2007, 5:27 PM
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MarkyPants2023 MarkyPants2023 is offline
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Quote:
Originally Posted by yangtze View Post
I found this article about george michaels art collection
which will be housed in Dallas. I am from Atlanta, and I wish
we could do as well. You guys are getting an amazing
art collection.
http://www.theartnewspaper.com/article01.asp?id=659
Hadn't even heard of this. Thanks for the details.
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  #1434  
Old Posted Jun 15, 2007, 3:58 AM
DFW DFW is offline
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Here is the design for Museum Tower 42-stories!!!!!

Wait a few seconds and the tower will appear.

http://www.museumtowerdallas.com/#

Nice looking tower.
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  #1435  
Old Posted Jun 15, 2007, 4:25 AM
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wow
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  #1436  
Old Posted Jun 15, 2007, 4:45 AM
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KevinFromTexas KevinFromTexas is offline
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Yay for Dallas! I love it. Nice pic of the Hunt Tower also, Owlhorn. Another new favorite of mine.
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  #1437  
Old Posted Jun 15, 2007, 2:16 PM
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Arts District condos offer the high life in a high-rise
Developers to offer luxury amenities
http://www.dallasnews.com/sharedcont...t.36d22ba.html

11:33 PM CDT on Thursday, June 14, 2007
By STEVE BROWN / The Dallas Morning News
stevebrown@dallasnews.com

Developers hope their new condo skyscraper will be a standout in Dallas' downtown Arts District.

To buy into the ultramodern high-rise, residents will need to come up with $1 million for the smallest unit.

"The 42-story condominium building is planned to overlook the new Woodall Rodgers park and will be constructed on Olive Street next to the Nasher Sculpture Center.

The $200 million cylindrical tower was designed by Los Angeles architect Johnson Fain. The exterior of the high-rise is composed of three kinds of glass panels that will overlap like the scales on a fish...."

"The Museum Tower developers plan to open a marketing center in the Arts District next month. They intend to break ground for the building early next year..."

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  #1438  
Old Posted Jun 15, 2007, 3:06 PM
kazpmk kazpmk is offline
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great design!
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  #1439  
Old Posted Jun 15, 2007, 3:40 PM
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FANTASTIC design!
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  #1440  
Old Posted Jun 15, 2007, 4:02 PM
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Yum

I like it!
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