I don't know the aesthetic school of thought for this, but Toronto is a prime example of the appeal of borders.
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Originally Posted by MonkeyRonin
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When the great invisible hand tossed skyscrapers onto the ground in New York and Chicago, and Hong Kong too, the shoreline borders created definition, a decisive break between buildings here, no buildings there. Central Park works in this way too. As does Plaza Mayor in Madrid, in an inversion of my thesis.
Toronto, damn it, just doesn't have any clearly defined borders for you to thrill to a decisive line between chaos and order. It grew linearly away from the lake, not along the lake. Why is it that pressing finely-grained things up against the edge of a wall or something is so visually appealing? Am I just a bit OCD? Imagine pushing the stray buildings in this photo back to one side of Bay Street and plopping a Central Park down against it. Wouldn't that be awesome?
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Originally Posted by MonkeyRonin
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This is a bit better per my aesthetic ideology. But still no lake or Millennium Park in Chicago.
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Originally Posted by MonkeyRonin
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I don't like this much. It's just monochrome sloppiness. Maybe redeemed a bit by the dystopian bleakness of it.
The only solution is for Toronto to keep building towers until they bump up en masse against natural or articficial borders. There's a reason no one really cares about Sao Paolo's skyline, after all.