Quote:
Originally Posted by MikeNigh
(Post 8002961)
Sorry folks, the shitty park / SJW bullshit made me snap. Overt anti-SJW / anti virtue signalling is not racism. I'm extremely pissed that they had Octavius have some goofy ass pose. Have some fucking respect. Shitty art, whether it is social justice or not, is shitty public space. It insults the space and the group it is trying to help. Shitty public space means nobody particularly wants to move here which means no new towers.
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In a sincere effort to be helpful, I'll say this...
As soon as someone drops "SJW" I completely tune them out. Exceedingly few people would ever apply that label to themselves. It's only ever used derogatively. It's right up there with libtard or cuck. The term enables the user to categorically dismiss a person with an opposing viewpoint without having to have an honest dialogue, mostly to avoid facing facts that conflict with their pre-conceived notions or to avoid uncomfortable truths. So, if you want people to hear you, you may want to stop insulting them at the outset.
What's more, while there's certainly a healthy amount of self-righteous virtue-signaling that goes on over on the left, trying to memorialize a past injustice is not virtue-signaling. We should most definitely be memorializing past societal injustices, lest we forget about them, and fail to learn from them. You seem to want a pretty history. Well, history isn't pretty. It doesn't mean we shouldn't memorialize it. The holocaust memorial is already there and has been there for quite some time. Meanwhile, Catto is the FIRST public statue memorializing an african-american in the city. That's frankly a bit outrageous and difficult to comprehend. If anything, such a monument is LONG overdue.
Finally, as for Catto's pose in the statue, I love it. I don't need a "respectful" black man there. Respectful of what exactly? White supremacy? I mean, he literally died fighting for the right to vote. The pose can certainly be interpreted as a confrontational one, but then he died a heroic and confrontational death. Meanwhile, if you read the artist's intention, the pose is meant to invoke Catto walking forward, with his hands stretched out to clasp the hands of fellow marchers, so a communal one, if still fairly confrontational. The pose is a large part of what makes the statue so moving.
But then I guess I'm just a libtard SJW cuck, or something...
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