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Originally Posted by Ch.G, Ch.G
I agree. The current design is such a letdown. It would have been good (not great) had the spire and base been realized as initially planned; but the changes to the cladding of both and the new shape of the base take away some of the building's (potentially) most interesting features.
IMO, Childs' design makes no reference to the history of the site other than its "symbolic" height (gag me) and the (unintentional) bunker-like quality of the base (an inelegant solution to the new demand for a perception of security and solidity). It's a faint echo of the Empire State Building and not much more.
It also looks squat, a dubious achievement for a supertall.
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It is painful to look at those images of the lost twins, especially that iconic photo of the twins providing a backdrop to the Empire State Building.
To me, what was so powerful about the twins is that they were an exercise in minimalist colossalism, to coin a term. They were absolutely minimalist in architecture, a perfectly valid idea, but colossal in their height and size and in the fact that there were two of them. "Pillars holding up the world" always came to my mind, and in their commercial function as exemplars of world trade, they could be read as the pillars of world trade. I think this sort of symbolism was so striking and emphatic that this is precisely why they were targeted.
The new complex takes four or five disjointed and jagged and rather pretentious towers to try to mimic what the twins so elegantly and concisely stated with two. As I believe you correctly note, the only nod to the site, its history and what happened on 9/11, is the kitsch idea of making the height of the tower echo the year America was born, which is nothing more than an exercise in cheap architectural numerology. But it's consistent with the original kitsch idea of Liebskind. Thankfully the off-center spire mimicking the torch of the Statue of Liberty was lost.
The new One World Trade is cold and forbidding and soulless, with its bunker base and what will become its cheap antenna instead of the more sculptural spire that had been planned. The other towers are just a generic jumble. Foster's slanted rooftop I guess was intended to point downward in homage to the memorial, and is consistent with renderings from the site plan. It does nothing for me. Probably the best of the lot, to me, is tower 4.
I think Childs was also trying to suggest something like an obelisk or a monument with the design of tower 1, but if so obelisks should not be blown up to monumental heights that suggest bombast rather than remembrance.